The Curious Incident of the Dog in the Night-Time - Theatre Review

The Curious Incident of the Dog in the Night-Time - Theatre Review

It's not often that I see a show that sends me straight to the internet to look for other people's opinions. I like to see a production without added bias, experience it directly, and try to express to you, my readers, how it felt to be there, what it was like to be immersed in the experience. But this play requires something a little more, because this is a story that has a neuro-atypical person as its lead character, and everything in this magnificently produced show is meant to show us how he moves through the world. 

I'm neuro-typical – that is, my brain works in roughly the same way as those of most people in my culture. Christopher Boone, the heart of The Curious Incident of the Dog in the Night-Time, is not. He is fifteen years old, loves animals, math, and machines, and doesn't like to be touched. He embodies some stereotypes about autistic people and is, at the same time, a unique and very real person. His story is one of the struggles and growth that come with growing up and leaving the safety of what's known, and it's also about living in a world that's not made for you. For this reason, I think it's really important that I include the voices of people who actually are on the autism spectrum as I tell you about this show, because it's a beautiful and innovative piece of theatre that I hope will raise questions in the audience about recognizing and acknowledging other voices. And I hope you see it, because whether you're a regular theatre-goer or more of a once-in-blue-moon viewer, I guarantee you won't have seen anything like this. 

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Lela & Co. - Theatre Review

Lela & Co. - Theatre Review

Some months ago, I saw a play that will remain nameless. It dealt with profound, emotional subject matter – sexual slavery during wartime. It was intense and graphic and disturbing. The writing was uneven, flowery and artificial in some parts and exposition-heavy in others. The directorial treatment wavered between mawkish symbolism and misery porn, lavishing attention on women's tortured bodies. And this story, meant to be about women, somehow managed to give more time to the voices of men – the women's abusers and loved ones. It was a disappointing evening. Maybe it just can't be done, I thought to myself. Maybe this kind of story is so powerful, so disturbing, that it just can't be made into good theatre.

Lela & Co., now playing at the Theatre Centre, proved me wrong. 

The subject matter is the same; Lela & Co. is a play about sex trafficking. It tells a harrowing story and it doesn't sugarcoat the realities of war. But it is so much more than that. It's the story of Lela, her childhood, her struggle, her resistance and resilience. It's a story of war, those who suffer, those who profit, and those who try to help. It's a production that educates, yes, but never at the expense of character. Most of all, it proves that in the hands of skilled writers, performers, and crew, even a story as painful as this one can be a thing of beauty. 

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Theatre Inamorata Presents Gray

Theatre Inamorata Presents Gray

The Victorians were on to something. Not in their repressive society, or their corsets, but in their literature, a seething froth of feelings and ideas that brought us boldfaced names like Dickens and Wilde, Doyle and Braddon, Hardy and Eliot. There's so much richness in that period that still resonates for readers today.

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Party Today, Panic Tomorrow - Review

Party Today, Panic Tomorrow - Review

Theatre is a funny business, funny both in the amusing sense and in the weird sense. Second City’s latest revue, Party Today, Panic Tomorrow, is a blunt instrument of a show that is loud, unapologetic, political and fierce. Unlike the more cerebral and brainy Everything is Great Again, the current show has a more frenzied feel about it. It’s more physical, more hard-hitting, and takes more risks. There are parts that will make you feel decidedly uncomfortable and parts that will leave you scratching your head. And I absolutely loved it. It may not be for everyone, but it was for me. 

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Odysseo - Review

Odysseo - Review

Cavalia’s Odysseo bills itself as “like no other show on earth!” Now, that’s a big claim…but it’s not wrong. If you’re not familiar with Cavalia, you probably will be soon. Like their better-known cousins Cirque de Soleil, they are a Montreal-based entertainment company that combines circus arts, live music, and film with the beauty and vigour of horses. It’s an usual combination that sometimes feels hard to pin down. Is it an athletic competition, a concert, an equestrian exhibition? I’m not sure, and I’m not sure I would even try to classify it. The bigger question is – does it work? And to answer that, I can give you a resounding yes. Whatever else Cavalia’s Odysseo is, it is undeniably full of spectacle, movement, and excitement.
 
The evening begins as we enter the White Big Top, Cavalia’s custom-designed venue. From a distance, the tent looks like a turreted castle straight out of a fairy tale. Inside, a wide stage is filled with a packed sand surface surrounded by trees and vines. The sand is real, the trees are not, but the effect is mysterious and lovely all the same. Stadium seating ensures that no matter where you sit, your view is unimpeded, and it’s surprisingly comfortable. It may seem odd to mention it but trust me, after a two and a half hour show, I was very grateful for those seats. Flamenco guitar was playing softly as we took our seats. I assumed it was recorded, but when the lights went down I could see musicians tucked away in the wings.

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